Chances are if you have ever flown in an old airplane, it likely had a set of "Fischer Wheels". You may already know that numerous sets of the 30 X 5, 28 X 4, and other sizes of wheel parts were made available to the antique airplane world during the 1970s, 1980s, and 1990s through the talents and creativity of Mr. Dick Fischer. You may not know that Dick is restoring a Curtiss Robin. Here on BRA,
we featured his project back in August of 2011. His Robin is going back together in the 'J-1' configuration. Just last week, we got a recent update from Dick. Here are his comments and photos:
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Hi Terry,
It
seems like I’d forgotten to CC you with Robin progress reports. So
attached below are some photos. Since we last communicated, I have been
upholstering and covering the airplane. At this point the interior
upholstery is complete, and there is fabric on the entire airplane. The
wings and control surfaces are completed up through final color. The
fuselage is covered and up through two coats of clear so far.
The
cover job is Stits Poly Fiber, with Poly Tone color coats. The fabric
is attached to the frame using CAM 18 as a guide for machine sewing,
hand sewing, rib lacing, etc. No glued attachments except where Curtiss
might have doped the fabric down.
Dick Fischer
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Interior is wool broadcloth, with cotton headliner |
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Baggage compartment before upholstery. |
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Access flap to baggage compartment. |
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Fuselage with fabric on and two coats of clear. |
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Fuselage side access panel. It’s an aluminum frame sewn into
the basic covering. The removable panel is also a fabric covered
aluminum frame. The panel cover is attached to the fuselage
with leather shoe lacing on boot hooks.
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Horizontal Stabilizers |
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Vertical fin and rudder. |
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LH wing panel completed with N- numbers. |
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Reinforcements around fittings are leather patches,
with patterns for each patch copied from original covering samples.
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Wing inspection panel frame. The actual panel is clear plexiglas.
There is a print of this frame in the Robin drawing set.
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Hard to see, but there is a stitch pattern around the wing perimeter.
That’s the hand stitching, covered by a 2” pink tape.
Hand stitching is on 1/4” spacing with hundreds of inches in an airplane.
Again, copied from original Robin fabric samples.
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LH wing panel during color coats. |
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While he isn't setting any records on time, Dick is
faithfully plugging away in the day-by-day restoration process. Along
the way, his attention to detail is incredibly wonderful. To follow all
of his steps would be a monumental learning experience for us all. Dick is
certainly in the category of "Master Restorer" in my book.
I wrote him back to inquire about his comments concerning the stitch pattern around the perimeter of the wing. It was a treat for him to write back and add the following information. This will certainly be appreciated by future restorers. Thanks for the education, Dick !
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Hi Terry,
Thank
you for the kind words. Actually, I don’t believe I’ve made any major
progress of late. It’s just a long, slow, steady grind for more years
than I like to think about.
Below
are a couple of photos of the hand stitching in progress. It’s nothing
specific to a Robin. The CAM 18 manual shows all the various sewing
details. I had some miscellaneous fabric scraps that I’m pretty sure
were original Robin fabric and just used them to verify that Curtiss was
conforming to the CAM 18. On the fuselage, I didn’t have any original
scraps to look at, but all the evidence of how most fuselages were
factory covered indicated that machine sewn sleeves were used . And the
pictures of fully assembled (but not yet covered) Robin fuselages in
the factory show the fuselages standing on the gear before covering.
The only way I can imagine that they could have put the fabric on at
that point was to slide on a sewn sleeve. By the way, installing a
machine sewn sleeve would still entail some hand sewing on at least one
longeron in order to get the sleeve past the passenger step. Also need
to leave an open spot at the rear to get the sleeve past the hand holds
on the lower longerons.
By
the way, you can usually spot original Robin fabric not only by the
paint color, but also by the fact that there was no silver dope applied.
Wonder how long that initial factory fabric job lasted ?
I forwarded your email to Lane Tufts, so hopefully he will contact you.
Dick Fischer
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